Steve Laughlin

The Tower of Babble

A little vibration on my thigh signals the arrival of a text message.  The billboard up ahead is digital, sending out a different message every 8 seconds.  The elevator pitches me lunch options on the way to the lobby.  News, weather and sports are on 24/7. Whatever it is I may become interested in next, there’s a magazine, cable channel and three thousand blogs about it.

Despite the endless flow of information we are presented with everyday, it seems as if no one’s got the time to read.  Thank you for taking an exception here.  Item: Publishers are decrying the fact that young men simply don’t read.  Item:  More and more we’re becoming a multi-lingual nation where we no longer read the same language, and when we do, it is difficult for everyone to understand the same idioms.  The result: Clever headlines aimed at catching people’s attention are not getting the reaction they are looking for.

So I better choose my words carefully, here.  We all should.

We’re spewing more words to less effect than any time in our history.  An art director friend of mine suggested we should respond by simply spewing more pictures.  I think he’s right.

The successful marketers are emphasizing design throughout their brands.  Simplicity has become the essence of cool.

Martin Luther said, “The fewer the words, the better the prayer.”  Apparently, not a lot of people got the message.  The cathedrals of Europe sit empty.

Marketers better listen or their pews could sit empty too. That white noise you’re hearing out there is saying, “Keep it simple.”

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Casey Flanagan

In praise of execution. Or, what to focus on when you can’t use your marketing plan as the ad.

This just in. No matter how pithy your PowerPoint, no matter how diversified your media matrix, consumers don’t see marketing plans.

The 18-34 male with a household income of $40,000 per year can’t see how you’ve broadened your reach or your frequency. He doesn’t know that the reason his direct mail piece is printed on really thin paper is because you are also supporting a spot cable buy and a new, viral online initiative.

That’s the thing. In an effort to impress your bosses, your stockholders and your coworkers, it’s easy to forget the person you need to impress most: the consumer.

Every brand touchpoint matters. Because it’s likely that of the finite contacts you’re able to make with your prospect, they’ll remember only very good and very bad. So which is it going to be?

By cutting a corner here or a nicety there, you may be able to stretch your dollar. That’s a good thing. But by doing so, the consumer’s experience with the brand is fundamentally changed. And that’s not.

It’s a balancing act, to be sure. But the next time you’re weighing the weight of the paper, the speed of the load time or whether it’s worth it to pay more for a really killer song, remember who you are really trying to impress.

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Steve Laughlin

Old Media’s not a Bad Idea or a Good Idea.
New Media’s Not a New Idea. Ideas are the Idea.

In the debate between new or old media, viral or traditional advertising, push or pull
marketing, PR or product placement, one question comes out of the clutter, virtual or real. Is
there an idea in there? What are the words in the word-of-mouth campaign going to say?
What grand design will drive the digital?

You have to admire an industry that keeps finding ways to invade people’s privacy with new
technologies. I’m sure you can’t wait for your phone to start offering you Viagra when you
can’t get it up, or Tums when you can’t keep it down.

Maybe that’s why the best marketing was never an interruption. It was always a discovery.
The message never confused itself with the medium.

If you and the brand you’re working for are going to survive the next technology shift, realize
that it’s your ideas that will get you through. Artificial intelligence suggests that ideas can be
programmed. Well, not to worry, so can you. And yours will be better, or we’re all headed for
CareerBuilder.com.

Ideas occur in four steps. (It’s the third and easiest step that’ll get you down.)

Step one. Know what it is you’re trying to have an idea about. Seems obvious, but it isn’t.
Clever headlines, visuals, or publicity stunts aren’t ideas if they’re just there to get noticed.
Mixing plaids will get you noticed, too. If you can state your brand strategy in one simple,
declarative statement, you’re on your way to having an idea.

Step two. Absorb everything there is to know about the brand. It’s competitors. It’s
consumers. It’s selling channel. This is a good time to read that segmentation study.

Step three. Incubate. This is the secret step few know about, appreciate, or have the patience
to wait through. Your brain needs time to sort the data dump from step two and actually work
on the problem. It can’t produce an idea without some time off. This phenomenon is
commonly known as writer’s block. It’s shortened more careers than Donald Trump. The
antidote is relaxing. Thinking about something else doesn’t just help, it’s required.

Step four. Epiphany. The cliché is that the idea hits you in the middle of the night, or in the
shower when you least expect it. It’s true. And it’s a proven neurological fact.

James Webb Young, a copywriter at J. Walter Thompson in the early 20th century, wrote a great
little book called “A Technique For Producing Ideas.” He makes the idea process simple and
understandable.

Creative people take these steps instinctively, but knowing how ideas get made should give
anyone the confidence to work on them. Anyone except the client’s spouse or children that is.
Years of study have shown that’s where ideas go to die.

The sooner the rest of us get engaged in ideas, the sooner consumers will get engaged with
our brands no matter where they encounter them.

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